Design automation · two benchmarks
Two closed design requests were pulled out of the Service Dashboard together with the files that were actually delivered to the client. Each brief was then handed to an automated board renderer with no sight of the finished artwork — same boards, same pixel dimensions, same look family. Both sets are below, side by side, so the gap is a thing you can look at rather than a claim.
Benchmark 02 repeats the test on a ticket whose notes field actually held the client's reference pack, and shows what changes.
Nothing here is paraphrased. These are the stored field values on the ticket, including the free-text brief the account manager typed.
DV Ribbon: 192h x 1344w OOT / Outfield Walls: 192h x 1008w Loge: 90h x 16768w (times 2) Club: 90h x 11360w Reserve Left & Right Fascia: 90h x 9600w Reserve Middle Fascia: 90h x 15060w Pavilion Fascia: 40 x 4000 Pavilion Insert: 160h x 960w
That is the entire brief. Eight dimensions and a job title. No copy direction, no colour, no reference to the look it belongs to, no note about what the boards are for. The word CHARGE! appears nowhere in the ticket — it comes from the title.
Which is the finding, not a complaint: the ticket carries the geometry and almost none of the intent. Everything a designer needs beyond the sizes is being carried somewhere the ticket cannot see.
Frames lifted straight out of the delivered revision-4 files. This is the benchmark — the standard the automated set has to be judged against.
Delivered file · frame at 4.0s
Delivered file · frame at 4.0s

Delivered file · scroll sideways · the word and the mark alternate along the run
The fascia is the whole lesson. At 100:1 the designer did not stretch one word across the board — the lockup repeats along the run with the mark dropped between copies, so the message reads from any seat instead of only from centre field. That decision is consistent across every long board in the set, and it is a rule, not a taste call.
Same nine sizes, rendered to the exact pixel dimensions the ticket asked for. The interlocking club mark is the client's own, taken from approved content in their folder — in live running it arrives as a supplied asset, and nothing about it is invented here.

Scroll sideways · shown at roughly a fifth of true width





Matched dimensions, no scaling tricks. Judge the three that can be judged at full size.
Delivered
Generated from the brief
Delivered
Generated from the brief
Delivered

Generated from the brief

| Dimension | Result | Detail |
|---|---|---|
| Board matrix | match | All nine boards at the exact dimensions in the brief, including both Loge runs. |
| Long-board behaviour | match | Everything past roughly 12:1 tiles the lockup rather than stretching it, mark alternating between repeats — the same call the designer made. |
| Club mark | match | The client's own mark, recovered from approved content in their folder. |
| Palette | close | Navy bed, saturated club blue, white type, ice highlights on facet edges. |
| Typeface | substitute | Heavy condensed grotesque standing in for the licensed face on the delivered files. Correct weight and proportion, wrong licence — a real run needs the studio font installed. |
| Motion | not attempted | The delivered files are ten-second animations. These are stills. Motion needs a render lane and hardware that does not exist here yet. |
| Copy | inferred | Taken from the job title because the ticket carries no copy field. It happened to be right. On a job where the wording lives in the source email, it would not be. |
| Time | 31s | Nine boards, 79 million pixels, one pass, no hardware acceleration. The ticket itself ran four revision rounds across four weeks. |
The board-size matrix, the aspect rule, the asset placement and the export naming are deterministic. That is the highest-volume, best-specified part of the work, and it does not need a model to guess at it.
Nothing here invented a look. The look family was read off approved content the client had already signed off. A cold "make me something new" is a different and much smaller slice of the volume.
The brief field holds geometry and nothing else. Copy, direction and reference links are arriving somewhere the ticket cannot store them. That is one intake column, and it gates everything downstream.
Benchmark 02
Benchmark 01 closed on one finding: the ticket holds geometry and nothing else, and that single missing intake column gates everything downstream. So the next ticket was chosen for the opposite property — a closed, client-approved sponsor board whose notes field holds the reference material the account manager actually sent. Same rule as before: the delivered proof was never opened until the rebuild was finished.
Stored field values on the ticket, unedited. The notes field is three links — that is the whole written brief.
https://www.dropbox.com/scl/fo/957be6snpp03hkwf01qn1/… https://www.dropbox.com/scl/fo/p2j5rs7z8n6bq0xrls2uj/… https://www.dropbox.com/scl/fo/d21n91psqdvahm8a2mpqm/…
One board size and three links. No copy, no look direction, no colour — the same shape of brief as benchmark 01. The difference is that here the intent did not vanish: it was parked in the links, and the links still resolve.
Pulled and opened. This is what the account manager sent, and it answers almost every question the ticket leaves open.
| Item | What it settles |
|---|---|
| Sponsor logo | Vector and PNG, black and white lockups. Placed as supplied — nothing redrawn. |
| Brand guidelines | 112 pages. The board's cream is named in it: Buckram Buttermilk #fcf9ee. That is where the colour on the rebuild comes from, not from sampling a picture. |
| Licensed fonts | Malone Serif (primary), Lars Malone, Sabon Next. The real typeface, installed and used — the substitution flagged in benchmark 01 does not apply here. |
| Product imagery | Three cut-outs at 3000 × 3000 with alpha. The objects scattered across the cream field are the client's own product photography. |
| Last season's board | The 2025 ribbon as it ran, plus last season's preview render. It carries the copy line and the lockup order. |
| Venue photography | Four full-resolution shots of the ribbon in place, showing how the board sits in the bowl and what neighbouring sponsors do with it. |
The board the ticket is about — a single continuous ribbon under the club level.
Lockup left, copy right, cream bed. The line reads Iconic Fragrances for Game Day and Every Day — that is where the 2026 copy comes from.
Worth noting on its own: the pack the client sent includes the 2025 proof sheet from the board's previous supplier — 50% and 100% rows, same idea as the ANC sheet.
One thing the pack does not contain: the club mark. The sponsor's logo is supplied in vector; the interlocking team mark that sits beside it is not. It was recovered from a 50 × 44 pixel region of the client's own 2025 preview file and rebuilt at working resolution. It is accurate, but it came out of a video frame, and on a live run it should arrive as an asset rather than be reconstructed.
Filed 23 July, proof out the following afternoon, opened eight times, approved and filed to the client's approved folder. This is the benchmark.
Board title, a full-width squeeze of the whole run, then the run cut into seven rows at working scale, over an ANC bar naming venue and property.
The delivered board is 15168 × 72. The ticket asked for 15120 × 120. Neither number is wrong — the ticket carries what was requested and the proof carries what the board actually is — but nothing in the system reconciles them, so the request field is not a reliable spec. The rebuild below was built to the ticket, because the ticket is what an automated pass would be handed.
No image model was asked to imagine a sponsor board. At 126:1 there is nothing to imagine — the work is placing a supplied logo, a supplied typeface, supplied product cut-outs and a named colour at exact pixel dimensions, and repeating the unit along the run so the message reads from every seat. That is composition, and it is deterministic.

Scroll sideways · shown at a quarter of true width · open the full 15120 × 120 file
Same canvas, same crop, no scaling tricks.
The delivered file is a fifteen-second animation; the frames above are stills from it. Open the delivered proof.
| Dimension | Result | Detail |
|---|---|---|
| Board size | match | 15120 × 120, exactly as filed on the ticket. |
| Typeface | match | Malone Serif, the client's licensed primary, taken from the reference and installed. Benchmark 01 had to substitute; here nothing is stood in for. |
| Colour | match | #fcf9ee, read by name out of the brand guidelines rather than sampled off a picture. |
| Sponsor logo | match | Placed from the supplied file. |
| Copy | match | Carried forward verbatim from last season's board in the reference. Benchmark 01 had to infer copy from the job title; here it is in the pack. |
| Long-board behaviour | match | The unit repeats along the run with the lockup dropped between copies — the same rule the designer applied, and the same rule benchmark 01 found on the Dodgers fascia. |
| Club mark | recovered | Not in the pack. Rebuilt from a 50 × 44 pixel region of the client's 2025 preview. Accurate at this size, but it should be a supplied asset. |
| Product styling | close | The client's own cut-outs, scattered at varied scale and angle. The delivered board places them with a designer's rhythm against the copy; the generated one distributes them evenly. |
| Motion | not attempted | The delivered file scrolls for fifteen seconds. This is a still. |
| Sheet layout | match | Title, FULL squeeze, seven detail rows, ANC bar with venue and property. Measured off the delivered sheet and reproduced. |
Given the reference, the two soft results from benchmark 01 — wrong licence on the type, copy guessed off the job title — both close. Neither needed a better model. They needed the pack that was sitting in the notes field the whole time.
Where the product shots fall against the words. The generated board spaces them; the delivered board composes them. That is the part worth a designer's afternoon, and it is a much smaller part than the run itself.
Benchmark 01 said the intake column is the gate. Benchmark 02 shows what a filled one is worth. The links were in free text and had to be found by reading the notes — a reference field on the ticket makes this pass repeatable instead of lucky.